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Print
1002079
  • Title
    Volume 05: Lionel Lindsay prints, 1904-1945
  • Call number
    DL PXX 85/vol. 5/nos. 403-493
  • Level of description
    file
  • Date

    1904-1945
  • Type of material
  • Reference code
    1002079
  • Physical Description
    105 prints
  • Scope and Content
    88 separate plates, many with 2 to 5 different pulls, 105 prints in total.

    403. Old Malaga, 1934
    Original Dry point, 27.7 x 22.7 cm.
    Edition: 1/100

    404. Facade of the Institute, Salamanca University, 1934
    Original etching, 27.9 x 17.6 cm.
    Edition: 1/100

    405. The Priory Doorway, Taorminia [Sicily], 1934
    Original Dry point, 26 x 18.4 cm.
    Edition: 1/100

    406. The Cathedral, Salamanca, 1934
    Original line etching, 22.5 x 25.2 cm.
    Edition: Unique proof on old Whatman paper, 1805

    407. Ruined Castle, near Hyères, 1934
    Original Dry point, 17.1 x 30.1 cm.
    Edition: Trial proof C
    Written below work: “(only 3 proofs pulled)”

    408. A Neopolitan Courtyard, 1934
    Dry point, 24 x 20.2 cm.
    Edition: Trial B
    Written below Dry point: “(only two proofs pulled)”, “Pattern HW”

    408a. Porta Capuana, Naples
    Dry point, 22.6 x 30.1 cm.
    Edition: Trial proof
    Written below work: "3 proofs one pulled, see if Su William Dixson has this"

    409. An Old Prison, Nuremburg, 1934
    Original Dry point, 20.7 x 30.2 cm.
    Edition: 2nd state
    Written below work: “(one of two proofs pulled) LL”

    410. Mill & Towers, Dinkesbuhle, 1934
    Line etching, 15 x 25.2 cm.
    Edition: Trial (one of three proofs)

    411. Antiqueria, with the Castle, 1934
    Dry point, 22.6 x 30.1 cm.
    Edition: Trial proof (Three or four proofs taken)

    412. The Main Square, Zafra, 1934
    Dry point, 22.7 x 30.1 cm.
    Edition: 4th state, last proof

    413. Caravanserai, Kerouan, Tunisia, 1935
    Original Dry point, 16.3 x 27.6 cm.
    Edition: [no number] / 100

    414. The Potter’s Shop, Kerouan, 1935
    Original etching, 17.6 x 25.1 cm.
    Edition: [no number] / 100

    415. Jerez de los Caballeros, Estramadura, 1935
    Original Dry point, 30.3 x 32.8 cm.
    Edition: [no number] / 100

    416a. “Tucker”, 1935
    Line etching, 12.5 x 9 cm.
    Edition: Proof
    Written below etching: “rag wiped”

    416b. “Tucker Time”, 1935
    Line etching, 12.5 x 9 cm.
    Edition: Proof
    Written below etching: “Aug 1935”

    416c. “Tucker Time”, 1935
    Line etching, 12.5 x 9 cm.
    Edition: 1/[12]
    Written below etching: “Aug 1935”

    417a. Adam and Eve, 1935
    Line etching, 14.8 x 10.1 cm.
    Edition: Trial proof D

    417b. “Woman”, 1935
    Line etching, 14.8 x 10 cm.
    Edition: Proof
    [Same etching as “Adam and Eve”]

    417c. “Woman”, 1935
    Line etching, 14.8 x 10 cm.
    Edition: 1/[12]
    [Same etching as “Adam and Eve”]

    418. The Prodigal Son, 1935
    Line etching, 11.4 x 7.2 cm.
    Edition: 1/[100]

    419. The return of the Prodigal, 1935
    Line, 15.8 x 21.5 cm.
    Edition 1/100

    420. The Free Selector’s Daughter, 1935
    Line, 14.2 x 21.5 cm.
    Edition: 1/100

    423a. Sunup, 1936
    Line, 14.8 x 10.1 cm.
    Edition: Trial C

    423b. Sunup, 1936
    Line, 14.8 x 10.1 cm.
    Edition: 1/50

    424. Christmas, 1936
    Line, 15.2 x 25.2 cm.
    Edition: 1/100

    425. [Bookplate] W.S. Robinson, 1936
    Line, 12.7 x 9 cm.
    Edition: Proof

    426. Jamieson Street, Sydney, 1936
    Line, 19.2 x 26.2 cm.
    Edition: 1/100

    427a. Hyde Park Barracks (etched in 1912, plate concluded 1936)
    Line, 12.7 x 29.6 cm.
    Edition: 1st state

    427b. Hyde Park Barracks, 1936
    Line, 12.8 x 30 cm.
    Edition: 1/100

    428. “Whaler’s Arms”, Days Of The Push, 1936
    Line, 20.2 x 15 cm.
    Edition: 1/75

    429. [Pfaherts Hotel], 1936
    Line, 10.4 x 12.7 cm.
    Edition: 1/100
    Title taken from Dixson’s listings
    Written below etching: “Hand Made”

    430. Old Houses (built by Langs Masons), Millers Pt., 1936
    Line, 10.4 x 12.7 cm.
    Edition: 1/75

    431. Old Education Dept. from the Lands Office, 1936
    Line, 13.3 x 22.6 cm.
    Edition: 1/75

    432. Demolition of Cumberland St., 1936
    Line, 15.1 x 20.9 cm.
    Edition: 1/75

    433. Elizabeth Street, 1936
    Line, 13.3 x 21.1 cm.
    Edition: 1/75

    434. Clovelly, 1936
    Mezzotint, 16.5 x 20 cm.
    Edition: [no. 35]
    Written below work: “Plate retouched and scraped in October 1936”

    435. Old Gloucester St., 1936
    Mezzotint, 16.7 x 21.4 cm.
    Edition: [no. 33]
    Written below work: “To William Dixson with the Engraver’s kind regards”, “Plate retouched 1936”

    436. The Rocks, 1936
    Mezzotint, 17.3 x 21.3 cm.
    Edition: [no. 34]
    Written below work: “To William Dixson with the Engraver’s kind regards”, “Plate retouched 1936”

    437. The Great Tower, Sydney University, 1936
    Line, 26 x 20.9 cm.
    Edition: 1/100
    “From a sketch taken when Sir Phillip Game was governor”—Dixson’s listings

    438. Carrera del Darro, Granada, 1936
    Dry point, 25.2 x 30.3 cm.
    Edition: 1/100

    439. Convent of San Gaetano (Cordova), 1936
    Dry point, 21.5 x 30.2 cm.
    Edition: 1/75

    440. A Hawker, Ronda, 1936
    Line etching, 26.2 x 14.4 cm.
    Edition: 1/100

    441. Santiago, Antequera, 1936
    Line etching, 27.7 x 17.6 cm.
    Edition: 1/100

    442. Old Parador, Malaga, 1936
    Line etching, 25.2 x 15.7 cm.
    Edition: 1/75

    443. Sagnaria, Malaga (only parochial church unburnt), 1937
    Dry point, 27.6 x 30.1 cm.
    Edition: 1/100
    “The Bishop’s palace showing on the right was burnt during the revolution”--Dixson’s listings

    444. Santa Inez, Granada, 1937
    Line etching, 25 x 15.6 cm.
    Edition: 1/75

    445a. His only pair, 1937
    Line etching, 20.4 x 14.1 cm.
    Edition: 1/75

    445b. His only pair, 1937
    Line etching, 20.4 x 14.1 cm.
    Edition: 2/75

    446. “Euchred”, 1937
    Line etching, 11.4 x 17.5 cm.
    Edition: 1/75

    Note: No. 451 appears here in the album

    447. Winter Light, 1937
    Line etching, 25.2 x 32.8 cm.
    Edition: 1/30

    448. Sandstone and Banksias, 1937
    Dry point, 25.2 x 30.2 cm.
    Edition: 1/30

    449. The Cattle Duffer, 1937
    Dry point, 20.3 x 25.1 cm.
    Edition: 1/75

    450a. White Gums, 1937
    Dry point, 17.8 x 25.2 cm.
    Edition: 1/30

    450b. [Self portrait], 1937
    [Line etching], 13.9 x 6.2
    Edition: [unknown]
    Title taken from Dixson’s listings

    450c. Self portrait, 1937
    [Etching], 14 x 6.8 cm.
    Edition: [unknown]
    Written below etching: “to William Dixson with the etcher’s kind regards”

    451. Chinaman’s Gardens, Wahroonga, 1937
    Dry point, 17.5 x 25.1 cm.
    Edition: 1/30
    [Out of sequence in the album, after no. 446]

    452. Bush Boy, 1937
    Dry point, 25.2 x 20.3 cm.
    Edition: 1/30

    453a. Great White Gum, 1937
    Dry point, 25.3 x 32.5 cm.
    Edition: 1/30

    453b. The Reader, [undated]
    [Line etching], 12.7 x 8.8 cm.
    Edition: [unknown]
    Written below etching: “My second etching bitten on a piece of sheet copper”

    453c. The dwelling of Henry James the novelist at Ryde, England, [ca. 1902?]
    [Etching], 12.7 x 8.9 cm.
    Edition: [unknown]
    Verso title
    Written on verso: “Made in London 1902, to initiate an American into the mystery of the craft. He subsequently printed and sent me the proof, on card.! – Lionel Lindsay”

    453d. Highway man, ca. 1895
    [Line etching], 12.4 x 8.9 cm.
    Edition: [unknown]
    Verso title
    Written below etching: “Printed in 1895 or 1896 on a knife polishing machine”

    453e. [Lionel Lindsay Exhibition Invitation], 1922
    [Line etching], 9.7 x 5 cm.
    Edition: [unknown]
    Written on etching: "Mr Lionel Lindsay requests the honour of your presence at a private view of the Exhibition of his recent etched work and Woodcuts to be held at the Decoration Galleries 289 Collins St. on Monday November 13th, 1922”.

    453f. Sketch of my wife, 1904
    Dry point, 9.7 x 5.6 cm.
    Edition: no. 1, not issued

    453g. [King Billy, after the watercolour by B.E. Minns], [undated]
    22.8 x 16 cm.
    Edition: [unknown]
    See also 126

    453h. [“Duck Egg”, Whatman (1806)], [undated]
    [Line etching], 17.5 x 13.7 cm.
    Edition: [unknown]
    Written below etching: “To my generous old friend William Dixson, this print, a “Duck Egg”, Whatman (1806). Whistler’s favourite paper”.

    454. The Morning Star, Toledo, 1938
    Aquatint, 13 x 21.1 cm.
    Edition: 1/100
    In black ink, See also 462 [in blue ink]

    455. San Georgio from Venice, 1938
    Line, 15.1 x 27.9 cm.
    Edition: 1/100

    456. Venice from San Georgio, 1938
    Line, 15.1 x 27.8 cm.
    Edition: 1/100

    457. [Travellers], 1938
    Line, 11.4 x 17.6 cm.
    Edition: 1/50
    Title from Dixson’s listings

    458. The Burden and Heat of the Day, 1938
    Line, 15 x 25.2 cm.
    Edition: 1/75

    459. All Aboard!, 1938
    Line, 17.6 x 25.1 cm.
    Edition: 1/75

    460. Prospectors, 1938
    Dry point, 25.3 x 32.8 cm.
    Edition: 1/35

    461. A Street, Toledo, 1938
    Dry point, 22.7 x 13.5 cm.
    Edition: 1/75

    462. The Morning Star, Toledo, 1938
    Dry point, 13 x 21.1 cm.
    Edition: 1/75
    In blue ink, See also 454 in black ink

    463. The Old Prison, Nuremberg, 1938
    Dry point, 20.8 x 30.3 cm.
    Edition: 1/60

    Note: No. 408a appears here in the album

    464. The old Commissariat Office, Lower George St., 1940
    Dry point, 17.4 x 36.1 cm.
    Edition: 2nd state. No. 1/50

    465. The Three Cocks, 1940
    Line engraving on copper, 11.7 x 17.3 cm.
    Edition: 1/50

    466. El Potro (the Colt) Cordova, 1942
    Line, 11.7 x 8.9 cm.
    Edition: no. 1

    467. Las Duenas, Salamanca, 1942
    Line, 11.9 x 9.3 cm.
    Edition: no. 1

    468. San Martin, Segovia, 1942
    Line, 12.5 x 8.3 cm.
    Edition: no. 1

    469. The Boundary Rider’s Hut, 1944
    Dry point, 22.7 x 18.6 cm.
    Edition: Artist proof

    470. Lengthening Shadows, 1944
    Dry point, 17.1 x 22.6 cm.
    Edition: 1/40

    471. The Constable’s Chapel, Burgos, 1944
    Line, 25.3 x 17.7 cm.
    Edition: 100

    472. Old Saumur, 1944
    Line, 27.5 x 17.5 cm.
    Edition: 75



    473. [Bookplate] R.H. Croll, 1944
    Line, 9.1 x 5.3 cm.
    Edition: [unknown]

    474. [Bookplate] Julian Ormond Smith, 1944
    Line, 11 x 7.5 cm.
    Edition: Proof

    475a. Fair time, Cordoza, 1945
    Line, 25.2 x 17.5 cm.
    Edition: No. 1

    475b. [Bookplate] Beatrice Waterhouse, [undated]
    [Line], 10.6 x 8.1 cm.
    Edition: Proof

    476. Old Zafra, 1945
    Line, 25.1 x 17.7 cm.
    Edition: No. 1

    477. A street in the Albacin, Granada, 1945
    Line, 25.2 x 12.8 cm.
    Edition: No. 1

    478. Santa Cruz, Toledo, 1945
    Line, 25.4 x 17.7 cm.
    Edition: No. 1

    479. Street of the Kings, Guadalupe, 1945
    Line, 25.1 x 17.7 cm.
    Edition: No. 1

    480. Plaza Juan Bravo, Segovia, 1945
    Line, 22.6 x 14.9 cm.
    Edition: No. 1

    481. Casa de los Tiros, Granada, 1928
    Etching, 27.6 x 17.6 cm.
    Edition: 100
    Written below etching: “S34755”

    482. The Bassra Guard, 1929
    Dry point, 19.2 x 30.2 cm.
    Edition: 100

    483. The Tunis Gate, Kairuan, 1929
    Dry point, 24.7 x 29 cm.
    Edition: 100

    484. Marble Balcony, Chiarraba, Venice, [between 1928 and 1930]
    Etching, 26.4 x 16.4 cm.
    Edition: 75
    Written below etching: “S. H1081”

    485. The Barber of Boussada, 1929
    Etching, 17.7 x 27.6 cm.
    Edition: 100

    486. Head of a Camel, 1929
    Etching, 9.8 x 7.5 cm.
    Edition: Demonstration plate
    Written below etching: “To my dear friend Sir William Dixson”
    [Out of sequence in the album, after no. 479]

    487. A cat asleep, [between 1928 and 1930]
    Dry point, 12.6 x 17.5 cm.
    Edition: 3rd state, 2 proofs thus
    Written below etching: “The tops of vertical lines at extreme right in background burnished lighter”
    [Out of sequence in the album, after no. 478]

    488. In the Corral of the Bull ring, Burgos – the day before the fight, 1929
    Etching, 17.7 x 27.7 cm.
    Edition: 2nd state, only two proofs thus
    Written below etching: “(2nd man on balcony now has dark hair)”

    489. Tower of a Ruined Monastery, Zafra, 1928
    Dry point, 20.2 x 13.1 cm.
    Edition: 1st state, only proof thus
    Written below etching: “Only 2 proofs of this plate in all, up to March 1945”

    490. Belen Monastery, [between 1928 and 1930]
    Etching, 15.1 x 25 cm.
    Edition: 3rd state, 1 of 2 proofs thus
    Written below etching: “With … lines on house at left”, “202”

    491. Donkey Market, Estramadura, 1934
    Etching, 17.7 x 27.7 cm.
    Edition: 2nd state
    Dated as 1929 in Dixson’s listings

    493. Palace of Admiral Doria, Genoa, [between 1928 and 1930]
    Dry point, 17.8 x 27.6 cm.
    Edition: 1st state, 1 of 2 proofs only
  • System of arrangement
    Prints numbered and arranged in chronological order by Sir William Dixson, with miscellaneous dates at the end of the album
  • Access Conditions

    Access via appointment
  • Copying Conditions
    Copyright status:: In copyright - Life of creator plus 70 years
    Copyright holder:: National Library of Australia
    Approval for reproduction required: No reproduction without prior written approval
    Please acknowledge:: Dixson Library, State Library of New South Wales and Courtesy National Library of Australia
  • Description source

    Lists of Sir Lionel Lindsay prints in the Dixson Library, prepared by the staff of the Library, ca. 1961 (DLMSQ 202)

    Titles of etchings, 1907-1951 and wood cuts, 1922-1950 by Lionel Lindsay / listings compiled by William Dixson (DLSPENCER 524)
  • General note

    Spencer List number: 324P Vol. V
  • Signatures / Inscriptions

    Signed "Lionel Lindsay" in pencil below print and/or in etched image, some signed "LL" or "L" within a circle. All prints also stamped "WD" in red ink. Some include title from artist in pencil.
  • Date note

    Dates in titles refer to creation date of item.
  • Place
  • Open Rosetta viewer

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